Ex Votive.Effect of war on children.Painting title - April 27th 2016 Al Quds Field Hospital , Aleppo ,Syria. Staff and Patients are killed in an air strike by Government and Russian forces. Oil on board.Two children are injured one cries and looks at his damaged hands. Behind them a bomb explodes and two men in dark suites watch .

Who tilts the scales?

They are of no particular colour, gender, nationality, politics or status . 

These are shameless fraudsters, who live without integrity and refuse to be held accountable. They will use whatever charm, tactic, accusation or bare faced lie required for power or control, and will even defend their behaviour in the name of an expropriated injustice, or victimhood . Their supporters and enablers, who can’t or won’t question their motives, rally to defend them with a crusade reminiscent of a primitive witch hunt against anyone considered to be stepping out of line or threatening their authority and balance of power .

Christopher Bollas also highlights the phenomenon of ‘a monster’ appearing gifted and lovable as they viciously attack others. This description brings to mind fictional characters from novels, but more concerning, some in the public eye and entertainment industry.

Acting skills and fake empathy, disguise doing and saying the unthinkable, thats the point, who could believe they would lie about or do such a thing . 

This group of paintings is about child sexual abuse , abuse of human rights through slavery, the disregard of animals & the environment and Climate change.

Painting title - May 20th 2019. Paedophile’s are from all races and backgrounds. They will smile and lie to your face to be alone with and abuse a child. Oil on board. 100 painted vows. In the foreground in a living room a child sits on a mans knee, his face is fixed and fake. On the TV  a Filipino girls shows a sign that says girls and boys are not for sale. Behind this the mother cooks in the kitchen .
Title – May 20th 2019. Paedophile’s are from all races and backgrounds. They will smile and lie to your face to be alone with and abuse a child. Oil on board. 100 painted vows.
Painting Title - 18th February 2019. Slavery still exists across the world. Oil on board. 100 vow paintings. A man to the centre arms crossed with attitude and a stick looks out at the viewer around him are examples of figures enslaved.
Title – 18th February 2019. Slavery still exists across the world. Oil on board. 100 vow paintings.
Painting Title - August 2018. Indonesia & Malaysia. Our destruction of the rainforest for palm oil is driving Orangutan’s and other native wildlife towards extinction. Oil on board.100 painted vows.A young Orangutan hangs in front of landscape showing empty red soil where forest has been cut down, machines cut down a tree with an Orangutang sitting in it, beyond farmers shoot fleeing wildlife.
Title – August 2018. Indonesia & Malaysia. Our destruction of the rainforest for palm oil is driving Orangutan’s and other native wildlife towards extinction. Oil on board.100 painted vows.
Painting about Global Warming.On the right hand side of the painting a Polar bear stands on a tiny island of ice, behind him ships , aircraft and cars pump out CO2. To the left in the foreground an elephant is dying of thirst being helped to drink and a baby kangaroo has bandaged limbs from injury in Australian bush fires.
Title – 2017. Global warming. Oil on board. 100 painted vows.

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